Likewise, the boss themes are definitely fast-paced fusions of styles. Yet "Devil n' Bass" takes the tempo and heaviness up more than a few notches. For example, the Chapter 4 light world theme "Hot Damned" captures the descent to hell with its death metal stylings and shredding bass lines. There are also interesting parallels between the themes used in each level. "Rocket Rider" for The Salt Factory is filled with electronic beats and treble frills that somehow manage to match the cheery feel of the game, while adding a certain mischief and danger to the level. There are also moodier themes to match the dark world music. Yet it also stays true to the hospital environment of Chapter 2 with its eerily echoing strings. For example, "Betus Blues" maintains the cheerful spirit of the soundtrack with its rhythmic percussion and catchy melody. The other interesting thing to note about these tracks is how they relate to the featured worlds. The word faster is one of the keywords in the game, as it's necessary to beat the fastest times in order to achieve the A-grade. The drums are the most effective, as they add to the pace in the game and pump the adrenaline needed to play faster. The tracks labeled with light world, such as "Forest Funk", feature cheerful and exciting melodies. Indeed, most subsequent tracks blend contemporary and retro influences, with chiptune sounds being mixed with shredding guitar riffs and hard drum beats. The subsequent title track is too brief to be of interest, but introduces the rock emphasis featured throughout the rest of the soundtrack. The innocent and romantic mood perfectly reflects Meat Boy's relationship with Bandage Girl. The soundtrack begins with "Boy Meats Girl", a simple track featuring acoustic guitar chords and nostalgic synth overlays. This review refers to the digital release. He initially released a digital release of the soundtrack for four dollars, before producing a two disc physical release for hardcore fans. He previously created a short score for the predecessor Meat Boy and fleshed out many of these pieces on Super Meat Boy. Danny Baranowsky captured the contrasting levels and manic gameplay of the title with a score that blended contemporary, retro, and orchestral elements. ~150 people are a modest sample and the only conclusion to be made is that the people don't hate the 2015 version as much as one would expect? Also, that its detractors arent as vocal as they used to be? The established belief that the old OST is better still stands.In 2010, indie developers Edmund McMillen and Tommy Refenes took the games industry by storm with their novel and acclaimed platformer Super Meat Boy. I'm not sure what point you're trying to make regarding the results of that poll. While the "rose-tinted" effect does make me give my preference to Danny's tunes I have no issue acknowledging the sheer awesomeness of new ones, several of them even being superior to the old.Īlas, regarding the 2015 SMB OST, the mark was missed a few hundred miles and while the tracks aren't bad on their own, nearly every one of them detracts from the atmosphere and usually conveys something lesser, something mundane. It may have something to do with Ridiculon's Rebirth OST actually being good, phenomenal even. But the final question asks which one people like more and the results is 53% Old and 47% New. When each track was voted against each other all but three of the old OST won. The new soundtrack has a good amount of fans. The old was liked more but not nearly to the degree people expect. Its only got about 150 responses total since then but the general consensus is more even than people would like to think. In fact, I uploaded the new soundtrack to youtube when it came out however long ago and put a link to a survey asking people which one they like better. Both have tracks that are stronger than the other but I listen to both frequently. I hate this question because people see the old version through rose-tinted glasses and just mindlessly ♥♥♥♥ on the new one despite the fact that everyone praises Ridiculon's Isaac OST and Scattle's Hotline Miami OST. It doesn't feel right comparing the two as they're definitely not on the same or even similar level. I was in a sort of disbelief when I heard the 2015 version for the first time. Originally posted by Revelanth:The original 2010 one is far, far better.
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